An author's view of the printing process: Perfectly Reflected gets real - Nosy Crow Skip to content
Posted by Kate, May 14, 2011

An author’s view of the printing process: Perfectly Reflected gets real

S C Ransom, who, as the author of Nosy Crow’s first book, and therefore our inaugural book with Clays gets rather special treatment from them, blogs about visting the printer for a second time:

I recently went to Clays in Suffolk to watch the first printing of my new novel, Perfectly Reflected. It was a specific request on my part as I had so enjoyed watching the first book in the series, Small Blue Thing, being printed last Autumn. I had never seen books being printed before, and the guys at Clays had given us a comprehensive tour and explained all the processes that the book goes through. But for that book there had been bound proofs before there were finished copies, so I had held it in my hand before, albeit without the beautiful, shiny cover.

This time it was different. Before I went to Clays, Perfectly Reflected existed only in my laptop and on great wodges of A4 paper bristling with sticky notes and covered in pencil marks. It had never looked anything like a ‘real’ printed book. I was also particularly interested in seeing the first books coming off the line, as that was something I had missed on the previous occasion. When Andrew and Rebekah gave me the tour, they explained that the operators prefer to show the process when it’s up and running – once all the start-up wrinkles have been ironed out. But they smiled at my excitement, and, as the first bound double book came shooting around the line, someone deftly lifted it off and handed it to me. The next ones went through the process of being sliced into two separate books and then trimmed. At the far end of the line they were sorted into piles, shrink-wrapped and loaded onto pallets. The machines were very loud and very efficient, and wastage was almost nil. At the end of the process I saw just two of my books in the recycling bin; one had a ripped cover and the other had a slightly dented cover. (I couldn’t resist rescuing the dented one, and it has now gone to a good home!)

With incredible speed, the line was running at its usual speed of 12,000 double books per hour, and from where I was standing in the middle, there were copies of my book on every conveyor belt I could see. From never having seen or held one, there were suddenly thousands and thousands of them. My vision and all those months of hard work hunched over the laptop were suddenly transformed into a real live book, bound in a glistening, foiled blue cover.

Everyone from Clays was lovely, answering all of my dumb questions and cheerfully explaining all the various processes. Perhaps having an author there was a novelty, though they must have had to make time to treat me so well.

As we walked around I looked at the monitor listing all the print runs for that particular production line (one of many they have at Clays). The next book up was Harry Potter and the Prisoner of Azkaban. How’s that for being in exalted company?

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