IPG Children's Publisher of the Year

Articles tagged with: lyn gardner

Gala Dinner to Celebrate Children's Books given by The Book People/Red House

Posted by Kate on Feb 28, 2012

Last Thursday evening, Dom and I put on our finery (in the face of conflicting advice from Twitter, I went for the knee-length rather then floor-length dress) and met up with Nosy Crow author/illustrators Nikalas Catlow and Tim Wesson, Lyn Gardner, Axel Scheffler and Philip Ardagh and 396 other guests at a very glamorous dinner party thrown by The Book People Red House at the ballroom in the Royal Festival Hall on London’s South Bank. It was associated with their involvement with the Southbank Imagine Festival (no link available, because it’s over now) at which Nikalas, Tim and Lyn performed, and it was billed as “a celebration of children’s books”.


Dinner menu for the evening

The chef was Jamie Oliver, and the food (made in a specially constructed marquee on the balcony behind the ballroom) was children’s (or children’s-ish) book-themed: Essex fried Peter Rabbit and Lord of the Onion Rings was on the menu. At every place on the six or so long colour-coded tables, there was a rather lovely little book containing, as well as the menu and the guest list, the favourite books that various authors and illustrators had chosen to send to children in care via Letterbox Club. Here are the 20 choices I particularly approved:

Philip Ardagh chose Comet in Moominland
Clara Vulliamy chose Dogger
Mick Inkpen chose The BFG
Axel Scheffler chose Anton Can Do Magic
Chris Riddell chose Flat Stanley
Emily Gravett and Nick Sharratt chose The Giant Jam Sandwich
Lyn Gardner and Paul Collicutt chose Where The Wild Things Are
Petr Horacek chose The Very Hungry Caterpillar
Polly Dunbar chose Not Now Bernard
Clare Beaton chose Each Peach Pear Plum
Justin Fletcher chose Dear Zoo
Betty Birney chose Charlotte’s Web
Marcus Sedgwick and Ciaran Murtagh chose The Dark is Rising
Morris Gleitzman and Mary Hooper chose Just William
Jenny Valentine chose To Kill a Mockingbird
Joanna Nadin chose The Secret Diary of Adrian Mole
Jacqueline Wilson chose Ballet Shoes
Steve Cole chose Marianne Dreams
David Melling chose The Cat in the Hat
Darren Shan and Cathy Hopkins chose The Secret Garden

In fact, every guest was asked to bring with them to the event a book to give to a child in care together with a postcard saying why we’d chosen it. I chose A Dog So Small by Philippa Pearce. I wanted to choose a novel, but one that wasn’t too challenging – one that could be read to a six year-old but that a twelve year-old might read. It’s a book about the power of imagination. And, though I don’t think it’s a defeatist book, it is, at the end, a very pragmatic one: Ben can’t have what he wants but he learns – painfully – to want what he has. I left it late, and went into two Waterstones without finding it before I went to the London Review of Books bookshop where they had the 50th anniversary edition. The fact that it was the 50th anniversary edition made me swither a bit: it felt a bit behind the times to buy something for a child who might not have been exposed to many contemporary books one so firmly set in the past. But I read the last few pages and, as always, was tremendously moved by them, so I bought it anyway. I can only hope that the child who gets it loves it as much as I did when I read it (and re-read it) as a child.

There were speeches.

First up was Michael Morpurgo, who talked about the pleasure of speaking to a room full of people who spent their lives “bringing books to children and children to books”. He spoke of the passion in the room – passion that lay behind things as diverse as the drive to write children’s books and The Book People’s Seni Glaister and Sara Cooper’s plan to walk to the North Pole in aid of the children’s hospice service, Shooting Star CHASE before singing us all the verses of the Barleycorn song (sorry about the visuals here!) with its advice to “put your trust in tomorrow” from the play (not the film) of War Horse.


Michael Morpurgo about to burst into song

Jamie Oliver then confessed that he hadn’t read a narrative book in his life, something he put down to his dyslexia, but then spoke about the pleasure his daughter, Poppy, aged nine, got from immersive reading: “Apparently, books are amazing because when the author allows you to have your own imagination you are always surprised… It’s an incredible power that you have.”

Speaking of a visit to a school at which 75% of children qualified for free school meals, but where all the children appeared to have smartphones, Jamie Oliver expressed a hope that “what Poppy loves: books and paper and private time” would survive the onslaught of our excitement over technology.


Jamie Oliver, chef for the evening, addressing the audience

Anthony Horowitz, on characteristic agent provocateur form, kicked off his speech by suggesting that publishers weren’t necessary any more. They provided, he said, too little in the way of advances and promotion when they were really needed at the start of an author’s career. He talked the audience through some of the opportunities to self-publish via agents initiatives, via Amazon and via Apple. He suggested that it was only a matter of time before The Book People began publishing books, saying that publishers were nervous of The Book People’s power… and nervous of powerful authors too: “Publishers need me”, he said. He poked particular fun at what he saw as the infantilising world of children’s books, describing a meeting with Walker where they’d asked him to choose what mug he wanted his tea in: “They weren’t just going to publish me, they were going to breastfeed me.”

So far, so near the industry knuckle. He concluded, though, by turning the speech around (a bit too late for some in the audience, but there were others who thought he was hilarious). He read a passage from a self-published book, and pointed out its flaws… flaws, he said, that his editor at Walker, Jane Winterbotham, wouldn’t have let him get away with. He said that authors needed the rigour of the editing process to which publishers dedicated themselves, suggesting that, if publishers were a little less interested in literacy, education, good grammar, story and characters and a little more interested in making money, they might have “fewer problems”.

He said he agreed with George Orwell that “writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.” He suggested publishers were similarly driven and that, “if we are in intensive care, I am strangely relieved that we are there together.”


Anthony Horowitz in agent provocateur mode preparing to talk to the crowd

Jude Kelly, Southbank’s Artistic Director, was more upbeat and less inflammatory. She spoke about the degree to which, in the UK, children were excluded from daily life – we only, as adults, tend to meet our own children as we go about our business – and were particularly excluded from cultural life, which was why events like the Imagine Festival were important. 13,000 people (“a torrent of children and an army of buggies”) had attended the ticketed events and thousands had come to the free events.

Lemn Sissay spoke of the work of Letterbox Club; of the courage and strength of children in care, who he described as “superheroes”; and of the need to judge governments by the quality of their care for the children for whom they were in loco parentis. Daljit Nagra read an embellished version of Too Many Daves by Dr Seuss. Aoife Mannix read the poem she’d written that night inspired by the places that people at the event told her that they had chosen when they wanted to “satisfy the need to read” as children. And Alex Gwyther read a poem he’d written in the course of the evening which was a toast to his future children’s first (book-inspired) words. If I ever get hold of links to the text of the last two poems, I’ll bung ‘em in here.

Tim ate my Charlie and the Chocolate Factory chocolate pudding, but I did offer it to him as he’d clearly particularly enjoyed his own.

A day with 'Olivia' author Lyn Gardner

Posted by Tom on Oct 26, 2011

Back in August, we blogged here about a trip to London to meet Lyn Gardner, author of our Olivia series, that two lucky competition winners took part in.

We didn’t say what magazine the competition was run by in our last post so as not to spoil the surprise, but now that it’s hit the newsstand I’m very happy to reveal that it’s Animals and You.

As well as tickets to see Shrek: The Musical and copies of Olivia’s First Term and Olivia Flies High, part of the prize was the chance to interview Lyn, and Manon, the winner, asked some great questions – she even managed to extract an exclusive from Lyn about the fourth Olivia book! You can read the whole feature in the latest issue of Animals and You.

Our other exciting Olivia news this week is that we’ve just had copies of Olivia’s First Term with a brand new cover (and more purple). This one, we think, fits in a little better with the style designer Sarah Coleman has developed across the series:

Competition Winners spend a day in London with "Olivia" author Lyn Gardner

Posted by Dom on Aug 31, 2011

Last Saturday, I was lucky enough to attend a rather exciting photo shoot for the next book in the Olivia seriesOlivia Flies High – at the Theatre Royal Drury Lane.

We’d run a competition with DreamWorks Theatricals and a popular girls’ magazine – I don’t want to spoil it by saying which one! – for two of their readers to come to London to see Shrek: The Musical and to interview Lyn Gardner, the author of the Olivia series. Lyn, of course, is entirely at home in the theatre, being the Guardian’s theatre critic, and the theatre setting suited the dramatic aspect of the Olivia books perfectly.

It was a great day! The winners, Manon and Holly (pictured above, with Lyn), came to London from Wales, accompanied by Manon’s mum, Sally. They were absolutely charming… and very photogenic.

The girls’ questions for Lyn were first rate – they’d won the magazine competition on the strength of them – and they’d even rehearsed a dance routine to entertain Lyn with. Not only that, they made up a routine to teach to Lyn, too!

Cue some CRACKING photo opportunities…

I can confirm that Lyn not only gave excellent responses to the excellent questions, she also demonstrated herself to be pretty nifty on her feet! The step-shuffle-glide-together proved absolutely no problem…

The venue for the interview and impromptu dance lesson was the theatre’s Royal Retiring Room. It was breathtakingly grand. The theatre team took care of us all (BIG thanks to our magnificent red coat, Anthony, who was assigned to look after us) and our treatment throughout the day was every bit as royal as our retiring room. I want to give a massive thanks to Lyn for being so brilliant and game, to Dominic for taking such great photos, to Manon and Holly for being so utterly wonderful and professional, and to Sally for being such terrific company while the others were interviewing/tap-dancing/getting ready for their close-ups.

I didn’t get to see the play, but I know from Lyn’s tweets and a very thoughtful ‘thank you’ e-mail from Sally, that Shrek: The Musical was a hit with everyone. So, the day was over – a fat lady hadn’t sung, but a fat monster had – and now we just need to see what the final magazine feature looks like! Watch this space…

Summer Reading

Posted by Tom on Jul 29, 2011

Now that Summer is most certainly upon us (evidenced at Nosy Crow by the fact that almost everyone is on holiday), the ritual of reading round-ups has been getting its yearly airing in the press. Without wanting to look a gift horse in the mouth – we’ve been very pleased with the inclusion of our books in so many round-ups – there seems to me to be something a little… unsatisfactory about the criteria for these lists. Surely, in order to qualify as a great Summer read, a book ought to have more going for it than a recent publication date.

There is, of course, all kinds of ways one could choose to define a good Summer book. Some – like our Mega Mash-Up series – are brilliant for keeping children occupied on long journeys or during days at home. Others, like Noodle Loves the Beach and Bizzy Bear: Off We Go!, evoke Summer quite literally. And stories like Dinosaur Dig! somehow encapsulate the outdoorsy, spirit-of-adventure feeling that Summer represents when you’re young – or, as Camilla put it to me in an email from the road, “Summer is about liberation isn’t it – from school, parents and routine, and in theory, the weather.”

When I asked for everyone’s suggestions here (before they all left), we decided to restrict ourselves to books that actually take place over the Summer. Needless to say, as with every previous discussion on the subject of favourite books of one sort or another, the debate swiftly dissolved into endless one-upmanship, but out of this, I’m pleased to say, came some truly excellent suggestions.

As ever, we’d love to hear your favourites, so please leave your comments at the bottom of the page or on Twitter.

Adrian suggested some true classics – Arthur Ransome’s Swallows and Amazons and The Wind in the Willows, by Kenneth Grahame, as well as a long-forgotten gem, The Inviolable Sanctuary by GA Birmingham.

Dom, pipped to the post for The Wind in the Willows, chose Laurie Lee’s Cider with Rosie, saying that, “Some of the scenes from that book were so vivid, they’ve become practically my own memories. It’s the book equivalent of Inception!”

Kirsty has nominated L.P. Hartley’s The Go-Between, Falconer’s Lure by Antonia Forest, and Winnie the Witch at the Seaside, by Valerie Thomas and Korky Paul, for “the best infinity pool ever.”

Camilla’s first suggestion is The Enchanted Wood, by Enid Blyton – and she has exactly the measure of a lot of Blyton’s books:
“Ginger beer, doorstep sandwiches and smugglers coves – in fact the very holiday I am just embarking on, though of course it never seemed to rain and I bet they didn’t spend hours sitting in a traffic jam on the A30.”

Some of her other choices are Iggy and Me on Holiday, by Jenny Valentine and Joe Berger, and Shirley Hughes’ Lucy and Tom at the Seaside.

Kate seconded Kirsty’s nomination of The Go-Between, and has also added Greengage Summer by Rumer Godden and What I Saw and How I Lied by Judy Blundell, both for older readers. Her other suggestions include Lyn Gardner’s Olivia’s Enchanted Summer, out next year, Greenwitch and Over Sea, Under Stone by Susan Cooper, and Mark Twain’s The Adventures of Tom Sawyer, which I believe has the distinction of somehow being included in every single one of the “Best of” lists that we produce.

My choices are, for much the same reason as Camilla, Enid Blyton’s Famous Five books, as well as A Spoonful of Jam by Michelle Magorian and Raspberries on the Yangtze by Karen Wallace, both of which have sort-of magical qualities about them. And finally, I believe I would be remiss not to mention the summer strips of Bill Watterson’s Calvin and Hobbes cartoons (pictured above), which, like all of our choices, cannot capture everything that’s wonderful about Summer, but certainly go a long way towards trying.

Now – over to you!

We’ve had some Twitter recommendations with the hashtag #summerreads:

@rogue_eight suggested The Weirdstone of Brisingamen, by Alan Garner

Kate (@nosycrow) pointed out that S.C. Ransom’s books Small Blue Thing and Perfectly Reflected both have strong sense of a London summer.

Publication of Olivia's First Term and Perfectly Reflected

Posted by Kate on Jun 07, 2011

Last week (ahem – apologies, but life has got in the way of this post) we published two great new novels in print and ebook formats.

The first is Olivia’s First Term by Lyn Gardner, theatre critic for The Guardian newspaper. This is Enid Blyton’s Malory Towers meets Noel Streatfield’s Ballet Shoes with a bit of Pamela Brown’s The Swish of the Curtain thrown in for deliciously good measure. It’s about friendship, family and performing, and its target audience is girls of 9+.

The Stage says it is “hugely enjoyable”.

Parents in Touch says it’s “the first in a very promising new series from Nosy Crow – a relatively new publisher. I can see the series being an instant hit with girls, who will love the thought of the glamour of stage school – or is it glamorous?”

The School Run says “Girls will love this book, it is a great story, with many messages within the story about friendship… I am sure this series could become as popular as Enid Blytons Malory towers and St Clare’s series! I for one am looking forward to the next in the series to be released.”

The second is Perfectly Reflected by S C Ransom, and is the sequel to Small Blue Thing. A paranormal romance for young teens and pre-teens with an iconic London setting – the focus of the action is the River Thames and St Paul’s Cathedral, it’s about teenage schoolgirl Alex, and her battle with the evil Catherine, who has managed to cross over to our world from the world of the ghostly Dirges, who are doomed to steal the happiness of others in order to survive. Catherine has a grudge, and is determined to make Alex’s life misterable, and what better way to do that than to keep Alex apart from Callum, who is trapped in the world of the Dirges? You can find out more about the books on the series website.

Networked Blogs says, “If Small Blue Thing was a paranormal romance, Perfectly Reflected is a paranormal thriller … There’s always a worry that the second of a series may not live up to the expectations created by the first – happily this is not the case here and the twists and turns will keep you hooked to the last page.”

Congratulations to Lyn Gardner and S C Ransom on publication!

These books bring our total number of print/ebook publications to (drumroll) 12.

London Book Fair - a (slightly) late update

Posted by Kate on Apr 17, 2011

Last week was the week of the London Book Fair.

This is a picture by Axel Scheffler, which he donated and which was sold to an anonymous buyer in aid of the National Literacy Trust. It shows the Gruffalo (and Mouse) with Pip and Posy going to the London Book Fair.

The London Book Fair, which has less of a rights focus and more of an export focus and is a general (as opposed to a children’s books) book fair, is very much secondary in importance to the Bologna Book Fair for Nosy Crow. It was particularly tough to focus on it this year as it came so hard on the heels of the Bologna Book Fair. It’s a fair at which, this year and last, we haven’t taken a stand, though I think we may have to rethink that for next year, given the number of messages left for us with the kind people of the Independent Publishers Guild stand.

On Monday, Deb presented our The Three Little Pigs app to a crowd of people in the children’s innovation space.

On Tuesday and on Wednesday (when Axel was, with Julia Donaldson, combined “author of the day”), Kate had a series of rights appointments. Some were with publishers who, for one reason or another, we were unable to see at Bologna, and some were follow-ups to Bologna apointments. We also had the chance to meet up with a few UK bookshop and other buyers.

Nosy Crow had been invited to participate in a Publishers Association presentation of key titles for the second half of the year to independent booksellers. We were the last of 12 publishers, and, the session was, perhaps inevitably, a bit of a “death-by-powerpoint” kind of thing, so we entirely abandoned our powerpoint, and spoke about just four things we’re publishing in the second half of this year, which I felt (on the hoof) gave some sense of the age-range and kind of books we cover: Pip and Posy: The Scary Monster ; Mega Mash-ups: Pirates and Ancient Egyptians in a Haunted Museum ; Olivia Flies High ; and our Christmas picture book, Just Right. Realistically, after seeing 70-odd titles, I thought that there wasn’t a chance of anyone remembering much about individual books, but I hoped that, by taking the less conventional approach, the independent booksellers would remember Nosy Crow, so that, when their Bounce rep came calling, they’d feel positively disposed towards the books.

I also did a talk as part of the Oxford Brookes University “Publishing Round The World” series, with an editor from Samokat and a founder of Milly Molly. Here’s me expounding Nosy Crow’s digital marketing thinking:

The photo above, which is as unflattering as it is grainy, was taken by Tom Bonnick, who’s interning with us. We wanted to check that his standards of photography are on the same level as our own if he is to continue to intern for us, and I am happy to say that they are! He did just take it with a phone, though, and from a long way away.

But all in all, a worthwhile few days.

Free as a bird

Posted by Kate on Jan 12, 2011

One of the great things about the publishing industry is how many people leave it.

They leave it, in that they leave big publishing companies and corporate life, and then they become experienced, highly-skilled and very creative freelancers.

Steph is our Head of Design, but that doesn’t stop us, and her, working with a range of different freelancers.

One freelancer that Nosy Crow has got very friendly with is Nicola Theobald, who’s worked at Random and Orchard and who’s been working on some of our fiction covers. Here she is (on the left) with Kirsty choosing foil for the cover of Adam Frost’s Danny Danger and the Cosmic Remote, the first book in a series that she’s desiging for us.

On the table you’ll also see, among other things:

1. A proof of the cover for Olivia’s First Term by Lyn Gardner, a series she’s also desiging for us, and a thing of great loveliness it is too.

2. Kate’s notebook, open for the energetic but incompetent sketching to which she resorts when talking about covers, something that strikes despair into the heart of every designer she’s ever worked with

3. Cake. Almond and apricot. Very delicious. Made by Kirsty for the occasion.

It's that time of year... when you present highlights to key accounts

Posted by Kate on Jan 07, 2011

Kate writes:

“I was off to Waterstones today, to show them material on our books from May to August. May is the first month in which we have more than one book or pair of books from the same series, so that felt like a bit of a breakthrough.

The photo is a glimpse of the inside of my case.

Some of the books, as the eagle-eyed among you will see, were continuations of series published between January and April of this year. Mega Mash-up: Mad Scientists and Aliens under the Ocean is the June follow up to February’s Mega Mash-up: Romans and Dinosaurs on Mars and Mega Mash-up: Robots and Gorillas in the Desert ; Perfectly Reflected is the sequel to Small Bue Thing ; and Bizzy Bear: Off We Go! (in which Bizzy Bear goes on holiday and seems to meet a very nice female koala) and Bizzy Bear: Let’s Get to Work! (in which Bizzy Bear works on a contruction site… presumably to finance his travels) are June sequels to March’s Bizzy Bear: Fun on the Farm and Bizzy Bear: Let’s Go and Play!.

However, there is much that’s new:

Lyn Gardner is a terrific children’s writer and a Guardian theatre critic, who has brought her skill, her passion and her knowledge together to create the Olivia books, which are classy-but-commercial Ballet Shoes meets Malory Towers for today’s 8+ girl reader. The first book in the series, Olivia’s First Term publishes in June.

Dinosaur Dig! is Penny Dale’s innovative combination of two things little boys (in particular) love: dinosaurs and diggers. These dinosaurs are (spoiler alert!) digging a swimming pool and making a lot of noise about it. The book was inspired by Penny’s construction vehicle-obsessed grandson, Zachary, to whom the book is dedicated. The book publishes in May.

The Noodle books by French illustrator Marion Billet are touch and feel books with a very attractive panda character whose life reflects the daily activities and excitements of most babies under the age of 18 months. Two books publish in May and two in August.

Where possible, we try to make sure that books with a summery themes, featuring holidays, or swimming, or beaches, which are, therefore, possible summer reading promotion contenders, are published in these months, so the ocean setting of the third Mega Mash-up, the beach holiday theme of Bizzy Bear: Off We Go! and of Noodle Loves the Beach, as well as the swimming pool finale of Dinosaur Dig! all make them books we think babies and children would be in the right frame of mind for as the weather gets warmer. Trudging through the rain, weaving round discarded and dessicated Christmas trees this morning, it was hard to believe we’d ever see summer again, but publishing is always about thinking ahead: full-colour books take months to get from the printer to the warehouse, and we are selling rights and doing highlights presentations up nine months, and even more, ahead of the books being available to readers.

The first presentation – to Waterstones – went very well. Lots more presentations to come…”

Apps and conferences

Posted by Kate on Dec 15, 2010

Yesterday, Kate met up with Neal Hoskins (pictured) of Winged Chariot in the Crow’s Nest to talk about the opportunities for collaboration amongst apps publishers, and, specifically, children’s apps publishers. For all of us involved in apps publishing, the challenge is how people – parents in our case – find good apps among the ever-growing sea of apps on the store.

They also talked about the Bologna Tools of Change Conference 2011, which Neal is heavily involved in, and at which Kate will be a keynote speaker.

Then Kate and Imogen left for the Bounce Marketing sales conference for April to August titles in Islington, wrapping fizzy wine in the back of the car to give to the Bounce reps so they could drink to Nosy Crow’s first book (Small Blue Thing) being published on 13 January 2011. Kate presented to an enthusiastic audience of 18, and it was great to see how many of the reps had already read many of the titles: Bizzy Bear and Pip and Posy were being enthusiastically read by one sales manager’s two year-old. The six year-old “reluctant artist” son of one of the reps had loved completing his first Mega Mash-up book. And one of the reps told everyone how much she’d LOVED Olivia’s First Term.

After a meeting at the Publisher’s Association about World Book Day 2012 (which’ll be the subject of another post), Kate met up with Imogen and Kirsty at Bounce’s Christmas Party, and Kirsty and Kate had to be asked to leave as the pub was closing. A fine time was had by all.

Best books for 10 year-old girls

Posted by Kate on Oct 17, 2010

One of Kate’s children recently turned ten, and, as it happens, someone @nosycrow follows on Twitter has just asked for reading recommendations for ten year-old girls (in this case, a ten year-old girl who likes to read).

To be a girl of ten reading in English is to be spoiled for choice. Not only are some of the great classics of children’s literature yours for the taking, but the last twenty years has seen a fantastic flowering of great writing for pre-adolescent children particularly in the UK, but also, it seems to Kate, in the US and in Germany. Here are the books that instantly sprang to Kate’s mind, some from her own childhood, some from 20+ years publishing children’s books (and she did publish some of the books below), and some from her experience of her own children’s preferences. No ten year-old reader is like any other ten year-old reader. Some of the books below are easier reads than others, and some more literary than others, but Kate’s a great believer in a varied reading diet. The categorisation was the first one that came to mind and is just a way of breaking up the list, and there are many others. Many books could be in more than one category, of course: Millions is very funny as well as being about an ordinary boy, and Eddie Dickens is historical as well as hilarious.

What are your suggestions? What has she missed?

Classics:

Anne of Green Gables by L M Montgomery
Little Women by Louisa M Alcott
Ballet Shoes by Noel Streatfield
The Narnia stories by C S Lewis
The Little House on the Prarie by Laura Ingalls Wilder
The Just William books by Richmal Crompton
Matilda by Roald Dahl
The Secret Garden by Frances Hodgson Burnett
The Silver Sword by Ian Serrallier

Funny books:

The Eddie Dickens books by Philip Ardagh
Molly Moon books by Georgia Byng
Larklight books by Philip Reeve
Ally’s World series by Karen McCombie
The Mr Gum books by Andy Stanton
The Ramona books by Beverley Cleary
The Rover books by Roddy Doyle (especially The Meanwhile Adventures)
The Humphrey books by Betty G Birney
Diary of a Wimpy Kid by Jeff Kinney
The Secret of Platform 13 by Eva Ibbotson

Time-slip/historical books:

Charlotte Sometimes by Philippa Pearce
War Horse by Michael Morpurgo
Hetty Feather by Jacqueline Wilson
Tom’s Midnight Garden by Phippa Pearce
Journey to the River Sea by Eva Ibbotson
The Neverending Story by Michael Ende
The Wolves of Willougby Chase by Joan Aitken
Catherine Called Birdy by Karen Cushman
The Rose books by Holly Webb
Carrie’s War by Nina Bawden
The Snow Goose by Paul Gallico
The Kite Rider by Geraldine McCaughrean

“Ordinary girl (boy)”/school stories:

Malory Towers series by Enid Blyton
St Clare’s series by Enid Blyton
Millions by Frank Cottrell Boyce
Cosmic by Frank Cottrell Boyce
Cloud Busting by Malorie Blackman
Our forthcoming Swans on Stage series by Lyn Gardner
Most of Jacqueline Wilson’s work (though things like Love Lessons are a bit old for 10 year-olds), but Tracy Beaker is Kate’s personal favourite
Flipped by Wendelin Van Draanen
Because of Winn-Dixie by Kate DiCamillo
Walk Two Moons by Sharon Creech
Bridge to Terabithia by Katherine Paterson
Ida B by Katherine Hannigan
Three Weeks with the Queen by Maurice Gleitzman

Fantasy stories:

Ink Heart by Cornelia Funke
The Thief Lord by Cornelia Funke
The Dark is Rising sequence by Susan Cooper
The Little White Horse by Elizabeth Goudge
Howl’s Moving Castle by Diana Wynne Jones
Charlie Bone books by Jenny Nimmo
Harry Potter books by J K Rowling
Percy Jackson books by Rick Riordan
Into the Woods by Lyn Gardner
The Tale of Despereaux by Kate DiCamillo
The Mennyms by Sylvia Waugh
Northern Lights by Philip Pullman (a bit top-end of the age-group, this)
No Such Thing as Dragons by Philip Reeve
Mortal Engines by Philip Reeve (a bit top-end of the age-group, this)
Stig of the Dump by Clive King

“Real-life” stories:

Chinese Cinderella by Adeline Yen Mah (a bit top-end of the age-group, this)
The Endless Steppe by Esther Hautzig
The My Story books, especially Titanic (actually fictionalised, but still based on real historical events)
The Horrible Histories books
The Horrible Science books